Salome
The story of Salome, granddaughter of Herod the Great, has inspired many writers, artists and composers. As she’s almost always depicted as a lascivious temptress whose erotic dance leads to the execution of John the Baptist, it is perhaps no coincidence that men have dominated its her interpretation. Joanna Courtney has redressed the balance with her new novel taking a much broader view of Salome, as the novel’s tagline – “the woman behind the dance – makes clear.
John the Baptist’s death could hardly be overlooked, but it happens near the half-way point in the novel, and Courtney goes on to explore the political, religious and personal ramifications of the tragedy. Salome is not simply a temptress. She is caught up in events almost against her will, and appalled at the violent outcome of her dance. The rest of the novel explores her desire to find peace and redemption. The characterisation is excellent and allows us to explore a number of different viewpoints and perspectives.
I really enjoyed the way the novel presented the political and historical tensions which followed the division of Herod the Great’s kingdom at his death. In this turbulent political climate, the Jewish priesthood and aristocracy are forced into an uneasy partnership with the Roman governor, Pontius Pilate, while the larger shadow of a decadent and all-powerful Roman Empire looms. It is a volatile world where insurrection is a very real possibility, and the rise of Christianity adds yet another dimension to the febrile mix.
At first, I was uncertain about the reworking of Salome’s life in relation to Christian history. However, the clarity and power of the writing, combined with the author’s informative historical notes, won me over completely to this imaginative and compelling portrayal. Very highly recommended.
