The Many Lives & Loves of Hazel Lavery
Hazel Martyn, John Lavery, Michael Collins: three names pivotal to Cahall’s fine biographical fiction, which features a large secondary cast of early 20th-century historical figures. Of those three, only Michael Collins was known to this reviewer, but the other two stories weave through his, into a narrative that feels familiar and comfortable to spend time in. Hazel Lavery, née Martyn, is a free-spirited, artistic socialite with strong Irish roots. We become privy to the men in her life, but also her family loves, primarily her adored and tragic sister, Dorothy. Mrs Martyn, an elitist snob and less than attentive mother, exerts far too much control over her daughter’s freedom, but this results in Hazel having opportunities ladies of lower status would not have enjoyed. One of these is meeting Irish painter and portraitist, John Lavery, who, at almost twice her age, is not considered suitable for Hazel’s hand. Throughout many years their devotion never wavers, and they marry in 1910, after Mrs. Martyn’s death. The age disparity plays a positive role in Hazel’s search for a stable father figure, but over time becomes a dampener on her fun-loving exuberance.
The novel’s world view broadens as it draws in the charismatic Michael Collins, a leading Irish freedom fighter long before he falls for Hazel. Their relationship is touching and tenderly evoked. Within this framework, their shared love of Ireland and their achievements in promoting Irish independence, become the overriding theme. Cahall manages it all expertly, spotlighting a truly charming socialite who reinvents a simpler version of herself, using her drive and zest for life to influence a positive political goal. The novel explores Collins’ and Sir John Lavery’s, as well as Hazel’s, contributions to the times in which they lived. This vibrant portrait of Hazel taps into the soul of yet another woman painted into a back-corner of history.
