No Friend to This House
In her latest retelling of the Greek myths, Natalie Haynes turns to Jason & the Argonauts and the Medea story. The tale of the handsome hero who seizes the golden fleece, with help from the witch, Medea, is well-known, particularly to those of us brought up with the 1960s classic movie. The Medea story, as told by Greek playwright Euripides and first performed in 431 BC, is a staple of the stage even to this day, with various adaptations and audiences trying to make sense of why the protagonist murders her two sons.
Tying the two halves of the story together in the one novel was always going to be a challenge. The first half is a swashbuckling quest and the second is a dark tragedy. But who better to meld the two together than Haynes, a writer, broadcaster, classicist and comedian whose novels include Stone Blind (about Medusa) and A Thousand Ships, which sees the Trojan War from the perspective of the women involved.
No Friend to This House centres on the roles played by Jason and Medea – and the Greek gods as puppeteers – in seizing the golden fleece from the far eastern edge of the Black Sea and taking it to Colchis, encountering dreadful obstacles along the way. Medea’s magic enables them to get through their ordeals. They end up in Corinth, married with children, and then Jason announces he is in love with Glauke, the princess, and is getting wed. Medea enacts a terrible revenge, but is it any wonder? She’s been deceived by her conniving husband. But killing her sons? How on earth can this be explained?
Haynes does so with aplomb – no spoilers here, but there is a final plot twist – in a nuanced and layered story, with multiple narrators and viewpoints. Highly recommended.
