The Throne: The Machiavelli Trilogy, Book 1
Niccolò Machiavelli is famously known for his work, The Prince. The Throne is Franco Bernini’s first in a planned trilogy that fictionalizes Machiavelli’s life. In 1502 Florence, we meet Niccolò escaping from someone he thinks is a creditor through the window of the home where he lives with his wife and daughter. He is quickly captured and brought in, not to a creditor, but to the gonfalonier who needs him for a mission.
The Florentine Republic is under threat of invasion by Cesare Borgia (called Valentino), and Niccolò is sent to Imola as an envoy to spy on Valentino and report on any invasion plans. It is here that Niccolò meets the beautiful and tragic Dianora, Valentino’s prisoner captured during his invasion of Forlí. While Niccolò is busy with his covert activities and secret coded messages home, he becomes obsessed with Dianora and devising ways to see and talk with her. Valentino, angered by the ‘lies’ written about him, has asked Niccolò to write his life story, but Valentino bends the narrative to his truth. Now Niccolò walks a fine line between his conscience to write the truth and pleasing Valentino. He is also walking a dangerous line with Dianora with his obsession and secret meetings. The two are falling in love knowing the consequences of death.
With an abundance of political intrigue, assassins, pursuit of power, and underhanded dealings, The Throne gives a detailed and impressive narrative of this Renaissance world. Niccolò comes across as inept and immature at times, but he can also display traits of cleverness, bravery, and wisdom. In addition to Dianora, money, and lack thereof, is his constant concern. I anticipate Niccolò will change and mature into the Machiavelli portrayed by history throughout the trilogy, since the ruthless political theories he is known for are not yet evident in The Throne.
