Cast Aside
In 1924, actor Francis X. Bushman is trying to come back from a tarnished image and a five-year “blacklist” after having an affair with a co-star while married. He enlists the help of a newspaper reporter, Lewis Tremayne, in order to portray himself as a changed man. The backdrop of this transformation is in Italy, where Bushman has begun work on the filming of Ben-Hur. The biggest challenge in revamping Bushman’s image is the fact that Bushman has no intention of changing, and the job is complicated even further when Tremayne falls for Bushman’s latest fling.
This is a fascinating look into the life of Francis X. Bushman, who played Messala in the 1925 silent film Ben-Hur, and the controversies surrounding the movie while it was filming in Italy. The author does a great job of portraying the flamboyant Bushman, whose selfish, partying ways did not sit well with American viewers in those days. The novel is written from the perspective of the reporter, Tremayne, and this viewpoint serves the novel well as we see all of Bushman’s faults and hypocrisies, as well as the cutthroat nature of Hollywood studios at that time. But the novel goes much deeper: Early 20th-century Italian politics, Hollywood politics, and criminal conspiracies are also involved, and the way Tremayne finds himself in the middle of everything is intriguing. The meaning of the title, Cast Aside, is shown in many ways, which will be interesting for the reader to discover. This novel is well written and recommended to fans of historical fiction about filmmaking, Mussolini’s Italy, and Hollywood.
