Death at the Manor
What is it about Regency-period England that offers novels such ample space for personal effort and blossoming romance? Is it the fairy-tale possibilities? Or is it the privileges of the “lords and ladies” whose wealth offers hints of escape and escapades?
Lily Adler’s widowhood allows her room for gentle flirtation, as well as alliance with the clever and very unusual Lady Ofelia Carrroway. For their autumn in the Hampshire countryside with women friends, they expect carriage rides, time with a charming neighbor, and relaxation. Instead, reports of a ghost in the nearby Belleford manor lure them into playing tourist—only to be caught up in family drama and murder at the manor. Even the long-time servants there (those willing to remain despite spectral appearances) have more than the usual share of secrets and dark comments.
Lily’s not a believer in haunting by the dead. The living, however, can clearly continue to torment each other. As she slowly dissects the motives and capabilities of the Belleford manor residents, she also scolds herself for having been naive and unthinking in the past. She feels compelled to provide guidance where she can—and perhaps ensure the safety of the remainder of the family and household.
Skillfully written, smoothly narrated, and with a gentle balance of mystery and growth, Death at the Manor offers enjoyable reading and a good chance for the discerning mystery reader to keep up with Lily’s own exploration of the “means, motives, and opportunities” in play. This third Lily Adler mystery also provides fresh insight into how Britain’s notable social caste system could be quietly set aside for those of strong loyalties and determination.
