Stephanie Renee dos Santos

About me

As a writer of historical fiction, the 18th century is my passion, along with art-related stories.

I have a B.A. in Studio Arts from Whitman College.

My forthcoming novel, CUT FROM THE EARTH…

In the Year of Our Lord 1755, Portuguese tile maker, Piloto Manuel Pires is committed to manumitting slaves and hiring them in his tile factory, a promise rife with problems. He harbors a secret tile designer, whose ongoing innovations of the the figura de convite, an invitation figure, puts the shop’s works in demand by Lisbon’s elite and at odds with a Jesuit priest. When a commission destined for the Amazon jungle must be altered, and an omen is disregarded, the shop plummets into struggle. Then on November 1, All Saints Day, with the city’s populace at church, disasters strike: earthquake, tidal waves, mass fire. Piloto’s life is forever changed and challenged as is his shop, tile making, and Portugal.

From my website

Love of Art in Historical Fiction Series featuring Lisa Burkitt & The Memory of Scent

This art-based historical mystery The Memory of Scent by Lisa Burkitt is set 1883 Paris, France. It is a story of two French women, Fleur and Babette, both artist models, and how their lives diverge when the painter they both pose for is found dead. Fleur lives her life on the…

Love of Art in Historical Fiction Series featuring M.J. Rose & The Witch of Painted Sorrows

Spellbinding. Entrancing. All-encompassing. The Witch of Painted Sorrows by M.J Rose was an impossible to put down Gothic mystery. Have you ever had a desire, a passion so great that it literally over took you…consumed you? This is what it’s like reading this novel of an artistic love affair like no…

Love of Art in Historical Fiction Series featuring Maureen Gibbon of Paris Red

The artist and muse, the electric spark for high art, and in the case of Paris Red — high literature. This novel is artistic, poetic, exotic, and reflects deep care to reach perfection of prose, multi-dimensional characters and stimulating scenes. It’s as if this book was polished by a brunisseue, a…

 
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